A First-Timer's Guide to Classical Music Concerts

Kayla Collingwood
Apr 25
12 min read

So you've decided to attend your first classical music concert. Great news! Classical music is for everyone who wants to take part, and I’m here to help you navigate this exciting experience. This guide will walk you through everything you need to know to feel confident, comfortable, and eager for the performance.

Scroll down to the bottom for the FAQs!

About Me

Who am I? Hi! I’m Kayla Collingwood, founder of Sound Garden and a passionate classical singer, educator, and creator. Having performed in many different contexts internationally, I’ve seen firsthand how magical the classical music experience can be for newcomers. But I also understand it can feel intimidating if you don’t know what to expect, and it’s not uncommon for people to come to me with questions.

Why trust me? Because I've spent my career not just performing classical music but helping others discover its joys. I've dedicated myself to breaking down barriers to this extraordinary genre of music. Whether you're completely new to classical music or just attending your first live performance, I'm here to ensure you have a wonderful experience!

Take a look around the rest of the site after you finish reading this post - I'm glad to have you here!

Types of Classical Music Experiences

There are many different types of concerts! Here are some of the most common ones:

Symphony Orchestra Concerts

These feature a full orchestra of musicians performing works ranging from baroque masterpieces to contemporary compositions. The conductor leads from the front, and you'll typically hear multiple works, often with multiple sections ("movements", with an interval halfway through.

What to expect: A formal yet welcoming atmosphere, magnificent sound, and coordination between dozens of musicians.

Chamber Music

Smaller, more intimate performances by groups of 2-9 musicians. These concerts often take place in smaller venues where you can appreciate the nuanced interplay between instruments.

What to expect: A more personal experience with the music and performers, rather like the difference between a stadium rock concert and an acoustic coffee house set.

Recitals

Solo performers or duets (often a pianist accompanying another instrumentalist or singer) showcasing their skill and expression through a carefully curated programme.

What to expect: An opportunity to witness remarkable skill and detailed performance craftsmanship in a focused setting.

Opera

A dramatic stage production where the story is primarily sung rather than spoken, usually accompanied by an orchestra. In smaller productions, a piano or small ensemble may be accompanying.

What to expect: A complete artistic experience combining music, drama, staging, costumes, and sometimes dance, all telling a compelling story.

The Full Concert Experience: From Arrival to Farewell

Arrival and First Impressions

Getting There

Aim to arrive at least 30 minutes before the performance starts
For unfamiliar venues, check transport options and parking availability beforehand
Large venues often have cloakrooms where you can leave coats and larger bags
Toilets are typically busiest just before the concert and during the interval, so plan accordingly

Collecting Your Ticket

You may have a digital ticket, which you can simply show at the door
For physical tickets, you might need to collect them from the box office. Arrive with plenty of time in case there's a queue
For smaller performances, especially in churches or private venues, you may need to pay at the door
Check whether they accept cards or require cash - this is especially important for house concerts and small venues

The Foyer Experience

Take a moment to soak in the atmosphere; larger venues such as opera houses often have fascinating architecture and history
Bars and refreshment areas might be available for pre-concert drinks
Look out for exhibition spaces that might feature relevant historical instruments or artistic displays
In smaller venues, this might be much more modest - perhaps just a table with programmes and refreshments

Collecting Your Programme

Most concerts will have programme leaflets or booklets with information about the performers, works, and the organisation
More detailed booklets at larger venues will often cost a small fee
For chamber music, recitals, and smaller venues, programmes might be simpler sheets provided for free
In house concerts or very informal settings, there might be no printed programme at all - the performers will introduce pieces verbally
Some programmes (especially for vocal recitals) include translations of the texts

Pre-Concert Activities

Pre-Concert Talks

Many larger venues offer free 30-minute talks before the main event
Usually held in a separate room or sometimes on the main stage
Presenters often include musicologists, composers, or the performers themselves
These provide wonderful context and things to listen for during the performance
In smaller venues, the artistic director/organiser might give a brief introduction from the stage instead

Pre-Concert Events

Sometimes there are special events organised, such as drinks for young professionals
These are not always advertised much, so it pays to investigate if things like this exist!
Sometimes you need to be a member/subscriber for access to these events

Finding Your Seat

Understanding Your Ticket

Tickets indicate your specific seat, row, and section, or are marked "general admission" (sit anywhere)
Venue maps for larger venues are usually available online or at the box office
In smaller venues, churches, or house concerts, seating may be unreserved. Be there early in case the tickets sell out!
Don't hesitate to ask ushers for help locating your seat, but bear in mind that in some countries, they may ask for a tip

Choosing Where to Sit

For first-timers in concert halls, the middle of the stalls offers a balanced audio experience
Balcony seats provide a fascinating visual perspective of the full orchestra
Seats near the front give an intimate experience but might favour certain instruments
If you bought a cheap ticket, you may not be able to see the stage so well (sometimes you will be seated behind a column)
Some venues offer standing tickets - these are usually cheap, but be prepared to stand for the duration
In churches, seating can be uncomfortable - cushions can be a wise addition!
For house concerts, arrive early for the best choice of seats, but consider the needs of those who may be particularly elderly or disabled before claiming a comfortable chair.

Settling In

Take time to look around and familiarise yourself with the environment and emergency exits
Read through your programme before the lights dim
You can try to strike up a conversation with your neighbours if you're feeling sociable; many regular attendees love to welcome newcomers
In smaller venues, you may encounter the performers - it's generally best not to approach them (a greeting is fine!) until after the concert, as they are preparing mentally and physically to perform!

During the Performance

As the Concert Begins

The lights may dim, depending on the venue's lighting equipment, signalling everyone to quieten down
Turn your phone onto airplane mode to avoid disruptions (and glares from other attendees - it's considered very impolite!)
For orchestral concerts and operas:
- The orchestra will already be seated, except for the leader (concertmaster)
- When the leader enters, the audience applauds briefly
- Then the conductor enters to more substantial applause
For opera:
- Once the orchestra starts playing, the performance has started
- There will often be an "overture" opening before the singers start performing
- There may be action on stage, or the curtain may remain closed until the end of the overture
In smaller concerts such as recitals or chamber music:
- The organiser may come out to say a few words, after which they will welcome the performers
- Or the performers may simply enter alone
- Applaud at the end of the speech/as the performers arrive
In house concerts:
- The host might welcome everyone and introduce the performers
- The setting is much more intimate and informal

Listening Actively

Consider closing your eyes occasionally to focus solely on the sounds
Watch how musicians interact with each other and the conductor
Notice how different instruments/voices complement each other
Feel free to follow along with the programme notes during the performance (just try to minimise noise from page turning)

Understanding the Programme Structure

Many concerts feature several larger works, often made up of multiple movements (self-contained sections that are part of a whole)
In orchestral and chamber music, it's common not to applaud between movements – the piece is usually meant to be experienced as a complete journey
Song cycles (groups of songs intended to be performed in order) follow a similar idea – it's best to hold applause until the end of the full set
In operas, the rules are more relaxed – audiences often applaud after arias or dramatic moments, and spontaneous applause is completely normal
In smaller recitals or house concerts, performers may speak briefly between pieces to introduce them, making things feel more informal and conversational

Using Surtitles

For operas and vocal works, many venues provide surtitles or supertitles - like subtitles, but ABOVE the action, rather than below
The surtitles may be projected above the stage or on small screens on seatbacks
Surtitles help you follow the plot and understand the lyrics
Feel free to glance at them but don't feel obliged to read every word
Smaller venues may provide printed translations instead, or rely on the power of the music and performers to portray the story!

The Interval

Many concerts include a 15-20 minute interval halfway through
Use this time to visit the toilets, grab a drink, or discuss your impressions so far
Listen for bells or an announcement signalling it's time to return to your seat
Smaller venues might have shorter intervals or none at all
House concerts often include refreshments during this time, offering a chance to chat with other guest

Special Considerations

If you need to cough, try to wait for louder passages or between pieces
Bringing unwrapped cough sweets can help if you know you are likely to cough
If you are unwell, it may be best not to attend, as enclosed spaces such as theatres can be a breeding ground for spreading illness
If you must leave during the performance, wait for an appropriate break and exit as quietly as possible
In smaller venues, be especially mindful of movement and noise as it's more noticeable
In general, simply be considerate of other concert goers and the performers

After the Performance

The Applause

When the piece concludes, the conductor will lower their arms and turn to face the audience (in orchestral concerts)
For recitals, the performer will signal the end by lowering their instrument or taking a moment of stillness
Don't rush to start applauding - the moments of silence as a piece comes to an end can be magical!
Join in the applause enthusiastically if you enjoyed the performance
The conductor may leave and return to the stage several times if the applause continues
They will often acknowledge individual musicians or sections who had prominent roles
If you’re ever unsure, just take your cue from those around you – you’ll rarely go wrong by following the audience’s lead

Curtain Calls and Encores

For exceptional performances, the audience may continue applauding for extended periods
Standing ovations are reserved for truly outstanding performances
Soloists sometimes perform a short encore piece after considerable applause
In intimate venues like house concerts, sometimes there will be one or two planned "encores"

Meeting the Musicians

Many venues offer post-concert opportunities to meet performers
These might be organised receptions or more informal gatherings near the stage door
Some orchestras host "meet the artist" sessions after specific concerts
Chamber ensembles are often particularly accessible after their performances
In house concerts and small venues, you'll likely have the chance to speak directly with the performers
This is a wonderful opportunity to ask questions or share your appreciation
Just remember that performers are normal people! They’ve likely just given a lot of energy on stage, so a warm, respectful approach goes a long way. Some may be buzzing, others may need a moment to wind down – either way, a simple “thank you” is always welcome!

Continuing the Experience

Consider visiting the venue's bar or restaurant to discuss the performance
Many concert halls have associated restaurants that stay open late for concert-goers
Some venues organise post-concert talks or Q&A sessions with the performers
Check if there's a CD stall where you might purchase recordings of the evening's music, often signed by the performers
House concerts often include post-performance socialising with wine and refreshments

The Art of Applause: A Deeper Guide

Knowing when to applaud can feel like a mysterious code, but it's actually quite straightforward once you understand the traditions. Here's a more detailed guide:

For Orchestral Concerts

Applause is usually reserved for the very end of a multi-movement work. You’ll know it’s finished when the conductor fully lowers their arms and turns to face the audience.
The concert programme will often list the number of movements (a symphony typically has 3–4), which can help you follow along.
If you’re unsure, just wait a moment - someone else will start the applause soon enough!

For Song Cycles and Lieder Recitals

Like symphonies, song cycles are usually performed as a whole, so applause is traditionally held until the end.
Each song contributes to a larger emotional arc or narrative, and the performer will often signal the conclusion of the cycle with a final gesture or expression.
That said, performers understand that not everyone will recognise the structure and will generally respond graciously to applause between songs. For more serious or introspective cycles, they may stay in character and hold the moment.

For Opera

Opera audiences are generally more liberal with their applause
It's perfectly acceptable to applaud after particularly well-performed arias (solo pieces)
You might hear "Bravo!" (for male performers), "Brava!" (for females), or "Bravi!" (for groups)
Enthusiastic applause often follows famous set-pieces (like the Queen of the Night's aria in Mozart's "Magic Flute")
It's not unusual for spontaneous cheers - or even the occasional boo - to break out, depending on the performance. This can vary from country to country.

For Contemporary Works

When attending premieres or contemporary performances, the composer is often present
They may join the performers on stage at the end, deserving special recognition

A Few Helpful Tips

If you're unsure, it's perfectly fine to wait and let others lead the way
If you applaud at "the wrong time", don't worry! - spontaneous applause is a genuine response, and most performers welcome the enthusiasm
The volume and length of your applause help convey how much you enjoyed the performance
Sometimes, a brief silence after an especially moving piece can be even more powerful than instant applause!
Standing ovations are usually saved for the very end of a concert. You’re welcome to start one or join in - and if you happen to be the only one standing, that’s perfectly okay too!

Accessibility: Classical Music for Everyone

Many venues and organisations are increasingly committed to making classical music accessible to all. Before booking, it's worth checking what services are available:

Physical Access

Most modern venues offer step-free access, lifts, and accessible seating areas
Older venues, especially those built before electricity became common, may be more challenging, but many are working to improve accessibility
Accessible toilets and facilities are typically available

Hearing Support

Hearing loops (induction loops) are available in many concert halls
Some venues offer infrared systems with headsets
Selected performances may include sign language interpretation

Visual Support

Audio-described performances are available at some events for visually impaired audience members
Some venues offer touch tours allowing patrons to feel costumes, props or even instruments before performances
Large-print and Braille programmes may be available on request

Relaxed Performances

Specially designed concerts with a more relaxed atmosphere
Perfect for those who might find traditional concert etiquette challenging
Allows for movement, noise and coming/going as needed

Companion Tickets

Many venues offer free or discounted tickets for carers or companions
Usually requires registration for an access scheme

If you have specific access needs, it’s always a good idea to contact the venue or organiser before booking. Larger venues often have dedicated access staff who’ll be happy to help. While smaller venues may have more limited resources, they’ll usually do their best to accommodate you wherever possible.

Frequently Asked Questions

What should I wear?

Smart casual is ideal for most venues. While some people enjoy dressing up for the occasion, there's usually no strict dress code unless it's a special event, like an opening night gala. As long as your clothing is neat, modest, and comfortable, you'll be just fine. The key is to feel at ease while enjoying the performance!

When should I clap?

Wait until the entire piece is complete, not just between movements. Follow the crowd when in doubt, or watch the conductor, whose arms will remain raised between movements but will drop completely when the piece concludes. Scroll up for a more detailed guide!

Can I take photographs?

Photography and recording are typically not permitted during performances as they can distract both musicians and other audience members. There may also be copyright restrictions, as live performance is subject to intellectual property laws. However, you're usually welcome to take photos of the hall before the concert begins and after it ends. You can also take photos during the curtain call (when all the performers come out to bow).

What if I arrive late?

Don't panic! Most venues have a late seating policy, allowing you to enter during suitable breaks in the performance. When you enter, be sure to be as discreet as possible. If there is an empty seat near the door, it may be better to sit there, rather than climbing over other audience members to reach your allocated seat. In larger venues, an usher will often accompany you to find a suitable seat.

How long will the concert last?

This varies acccording to the type of concert. A vocal recital will generally last for an hour or so, an orchestral concert will often be closer to two hours, and an opera is usually two to three hours (but some well-known operas last longer!). There may also be one or more 15-20 minute intervals. Times are usually listed on the venue's website or on your ticket.

Final Thoughts

Classical music touches something deep and universal in the human experience, and there's nothing quite like hearing it performed live. The magic of a live concert lies in its unpredictability – every performance is different, shaped by the moment, the musicians, and the audience!

There's no need to worry about "doing it right". Instead, come with curiosity and an open mind. Even seasoned concertgoers know that unexpected things can happen – that's part of the beauty!

Each concert is a one-of-a-kind experience that can never be fully recreated. That’s what makes classical music so special. I hope this guide has helped you feel more confident and excited for your first concert.

Happy listening!